Novel Writing on Edge - Development Maxims and Master Class Narrative From Algonkian

What should be brewing in the mind of the aborning author right from the start? Let's Talk About Passion A few basic questions first. Why are you writing a novel? For reasons of ambition, ego? Well, why not? Most of us, in one way or another, tend the ego. We want recognition, validation, a chance to prove our ability to others and thereby rise above (careful... verging on narcissism). We may need to prove something to ourselves, or more simply, gain a degree of independence from an unsatisfactory mode of existence, the existential nausea of daily grind. We might require purpose, a desire to fill our lives with a mission, and what better way to achieve than by writing a novel? Then, of course, there is the pure need to create, the godlike urge shared by true artists... or perhaps your particular desire to write the novel results from some or all the above working in synergy.  Regardless, please consider your answers,  even before  the first steps  towards actua

Once more, the classics speak to us. What is one of the primary reasons novels get rejected? The narrative is too passive. It  ultimately falls flat, quiet and dull. Details are insufficient, metaphors lacking, lack of energy obvious, circumstances predictable (see also Narrative Enhancement via Nabokov ). So what to do? At WE we believe in learning from great authors whose shoulders we stand on. Therefore, we've developed a means of addressing this issue. We wish you to seek inspiration from the prose extractions below and utilize them for purposes of defeating passivity via emulation. In other words, you will intentionally choose and compose fictional subject matter for your novel that entertains, frightens, or enthralls the reader. And how? By creating a circumstance, place, thing, or event that is unique and curious  by virtue of its very nature . Let's engage in a few writing "prompts." You must prod the imagination and peel the onion. By the way, in the contex